Cleaning out an old draw, I found a misplaced ring, the first I ever made over 10 years ago as a senior in High School in Ki Nimori’s Metal Working and Jewelry class.
A stereotypical Karate-Kid Miyagi-san type of teacher - I remember he snapped fingers, scolded with questions and practiced karate before throwing pottery.  He was a master ceramist  and teacher. He taught for 40 years at the American School In Japan, and I was lucky to have taken one of his classes.
While I wouldn’t say he was the most important teacher in my high school experience, looking back I can’t but help think that the ring is a good reflection of who I am (and I think he would be pleased with this even if its aesthetic and craft are amateur). A mix of alloys, dimpled, scoffed, yet durable and quietly gleaming.  The ring is a bronze, silver, iron mix of residue alloys made from old student wastes, flattened into a flat sheet, welded together and dimpled with tools. It still slides on perfectly and shines in silver and bronze streaks.
Read an interview with Ki Nomori
Another ASIJ Alum Gordon Scott shares more Ki Nomori’s influence on his professional work

Cleaning out an old draw, I found a misplaced ring, the first I ever made over 10 years ago as a senior in High School in Ki Nimori’s Metal Working and Jewelry class.

A stereotypical Karate-Kid Miyagi-san type of teacher - I remember he snapped fingers, scolded with questions and practiced karate before throwing pottery.  He was a master ceramist  and teacher. He taught for 40 years at the American School In Japan, and I was lucky to have taken one of his classes.

While I wouldn’t say he was the most important teacher in my high school experience, looking back I can’t but help think that the ring is a good reflection of who I am (and I think he would be pleased with this even if its aesthetic and craft are amateur). A mix of alloys, dimpled, scoffed, yet durable and quietly gleaming.  The ring is a bronze, silver, iron mix of residue alloys made from old student wastes, flattened into a flat sheet, welded together and dimpled with tools. It still slides on perfectly and shines in silver and bronze streaks.

Read an interview with Ki Nomori

Another ASIJ Alum Gordon Scott shares more Ki Nomori’s influence on his professional work

First Chat on Omegle - A Conversation with a Stranger
Stranger:hey
You:hey
You:whats up
You:happy new year
Stranger:yes
Stranger:happy new year too you too
You:thanks
You:i'm thinking about buying some art
You:from a weird japanese manga guy
You:looking for outside opinion
Stranger:not experianced with manga
Stranger:sorry
You:its some pretty werid stuff
You:here is the link
Stranger:cant tell good from bad
You:http://www1.odn.ne.jp/~adc52520/tuuhan/gengahanbai1.html
You:i feel like this guy has some serious talent
You:its very dark
You:but quality of illustration is good
You:warning: its pretty horrifific
You:what do you think?
Stranger:wow
Stranger:i see what you mean
You:very dark, but something about them are great
You:i grew up in japan
You:so i think there is something there
Stranger:oh
Stranger:i from america
Stranger:*im
You:i'm thinking about getting the title called "game"
You:where the 2 kids are playing othello
Stranger:is that like checkers?
You:yeah
Stranger:i appologize
You:but if you see on the tv > they are actually controlling cars etc
Stranger:not familiar with the culture
You:sort of mindblowing in that sense
Stranger:it is
Morning Ride SF

Morning Ride SF

Pure Luxury: biking to work

Pure Luxury: biking to work

Dennis Hoekstra, shares a quick preview of his new work - all painted false textures.  His last work was at part of the “Black Acid Co-op” @ Deitch Projects in NYC.  The Peeling paint one is promising.